Merchandise Djampie Oesodo Sebagai Brand Awarness Konsumen
DOI:
https://doi.org/10.32815/jeskovsia.v8i01.788Keywords:
Traditional herbal, visual identity, Djampie Oesodo, herbal drinksAbstract
The existence of herbal medicine has begun to decline because it has been replaced by modern medicines. For the people of Indonesia, herbal medicine is not just traditional medicine, but a drink to support health. The purpose of this research is to create a way to create a new image of herbal medicine that can be a solution to this phenomenon so that it can be considered a casual drink that can be consumed every day. Literature Study, By studying reference books and journals related to today's design techniques and styles and the application of business in the digitalization era. Observations, indirect observations made through digital media related to the development of visual style, observing products that have been in business for a long time, and following issues that develop in society. Analysis, and research on Segmentation, Targeting and Positioning to find out the right strategy in designing brand identity. This research produces 3 types of visual identity and merchandise, namely logo, packaging, and promotional media. The results of the test using the questionnaire method show that the Visual Identity design can provide a value of trust and attract consumers to buy products. Djampie oesodo is a traditional beverage brand that has just been pioneered so the identity of the product is not yet well known. With the use of visual identities such as logos (logograms and logotypes), 1st Packaging, 2nd Packaging, key chains, bags, tumblers, social media, and online stores have been able to become product identities so that buyers can easily identify these products.
Downloads
References
Army, Rifqa. (2018). Jamu Ramuan Tradisional Kaya Manfaat. Jakarta : Badan Pengembangan dan Pembinaan Bahasa.
Cahyorini, Astri dan Rusfian, Zalfiana. 2011. The effect of Packaging Design on Impulsive Buying. Journal of Administrative Sciance and Organization.
Charles W. Lamb, Joseph F. Hair, Carl McDaniel. 2001. Pemasaran, Edisi pertama. Salemba Empat. Jakarta
Cruz, A. P. S. (2013). Jenis Jenis Tipografi. Tinjauan Tipografi, 53(9), 16.
Fauziyah, Rachma. di https://kelasdesain.com/macam-macam-jenis-layout/ (diakses pada 09 Agustus 2022)
Hakim, Arfial Arsad. 1984. Nirmana Dwimatra (Desain Dasar Dwimatra)
Junaedi, 2003 : h.14 di http://kelasdesain.com/teori-warna-dalam-dunia-desain-grafis/ (diakses pada 19 Oktober 2021)
Klimchuk, M. R., & Krasovec, S. A. (2007). Desain kemasan: Perencanaan merek produk yang berhasil mulai dari konsep sampai penjualan. Penerbit Erlangga
Kusrianto, Adi (2007). Pengantar Desain Komunikasi Visual. Yogyakarta: Andi
Latuheru, J.D. 1993. Media Pembelajaran dalam Proses Belajar-Mengajar Kini. Ujung Pandang : Penerbit IKIP Ujung Pandang.
Mugniza, N., Sulistianto, N., & Siswanto, R. A. (2020). Perancangan Identitas Minuman Tradisional Minuman Jamu Gendong Untuk Meningkatkan Daya Minat Konsumen. eProceedings of Art & Design, 7(2).
Pressman, Roger S., Ph.D. 2002. Rekayasa Perangkat Lunak Pendekatan Praktisi. Yogyakarta: ANDI.
Rustan, Surianto. (2009). Mendesain Logo. PT. Gramedia Pustaka Utama.
Sularko, dkk. 2008. How do They Think? Rekaman Proses Pembuatan Aset Perusahaan Paling Berharga. Jakarta: Mosher.
Saputra, D., Warsaa, Y., & Happy, H. (2023). Brand Identity "UD Bakriy Furniture" To Enhancement Brand Awareness. Jurnal Desain Komunikasi Visual Asia, 7(02), 17-28. doi:10.32815/jeskovsia.v7i02.964
Robi Andre Zainaldi, Yogi Widya Saka Warsaa, and Faldi Hendrawan, “PERANCANGAN VISUAL IDENTITY WISATA ‘KAMPUNG ANGGREK’ DADAPREJO SEBAGAI MEDIA PROMOSI”, synakarya, vol. 4, no. 1, pp. 111–128, Jul. 2023.
Tjiptono, Fandy dan Gregorius Chandra. 2012. Pemasaran Strategik. Yogyakarta.
Wijesekera, ROB, 1991. The Medicinal Plant Industry. Washington DC : CRC Press.
Winarno FG. 1997. Naskah akademis keamanan pangan. Institut pertanian Bogor.
Downloads
Published
Issue
Section
License
Hak cipta pada artikel akan dialihkan ke JESKOVSIA (Jurnal Desain Komunikasi Visual Asia) jika artikel tersebut telah diterima untuk diterbitkan. Author menyatakan mengalihkan seluruh hak cipta, tanpa batasan apapun kepada JESKOVSIA. Author dengan ini menyatakan dan menjamin bahwa artikel yang telah dibuat adalah karya asli penulis yang tertera di artikel, kecuali untuk materi yang jelas diidentifikasi sumber aslinya, dengan pemberitahuan izin dari pemilik hak cipta jika diperlukan. Pengalihan hak cipta mencakup hak eksklusif untuk memperbanyak dan mendistribusikan artikel, termasuk cetak ulang, terjemahan, reproduksi fotografis, microform, form elektronik (offline, online) atau reproduksi lain yang serupa.