Kajian Nilai Estetis dan Simbolis Ukiran  Masjid Mantingan Jepara

abdulloh eizzi irsyada

doi:10.32815/jeskovsia.v3i1.420

Authors

abdulloh eizzi irsyada dosen

DOI:

https://doi.org/10.32815/jeskovsia.v3i1.420

Keywords:

aesthetic value, symbolic value, carved, mantingan mosque

Abstract

The Mantingan Mosque is an old mosque founded by a Duke of Jepara, Sultan Hadlirin and his wife Ratu Kalinyamat in 1481 Saka or 1559 AD. Besides having beauty in the architecture of the building, it also has ancient ornaments patterned with flowers, plants, animals and others that are beautifully carved around its walls. The diversity of motifs, shapes and patterns of each carving makes researchers interested in knowing what are the aesthetic and symbolic values contained in each carving ornament on the walls of the Mantingan Jepara mosque. Aesthetic values are represented in a carving media which is then designed to be fully carved into beautiful, intricate, "ngremit" (sophisticated) and "ngrawit" ornaments as indicators of progress and the high expertise and skills of Jepara carving artists at that time. While its symbolic value is full of the philosophy of life represented by the form of communication between the leader (Queen) of Jepara at that time to its citizens.

Downloads

Download data is not yet available.

References

Gustami, SP. (2000). Seni Kerajinan Mebel Ukir Jepara: Kajian Estetik Melalui Pendekatan Multidisiplin. Yogyakarta: Kanisius.
Irsyada, Abdulloh Eizzi. (2018). Kajian Perubahan Desain Ukiran Jepara pada Periode Abad XVI-XVIII dan Abad XIX, Ditinjau dari Faktor Penyama dan Faktor Pembedanya (Magister Thesis, Universitas Komputer Indonesia).
Mulyani, R. A. (2013). Respon Terhadap Ornamen Masjid Mantingan Jepara dalam Seni Lukis. Arty: Journal of Visual Arts, 2(1).
Na'am, M. Fakhrihun. (2016). Pertemuan Antara Hindu, Cina dan Islam pada Ornamen Masjid dan Makam Mantingan, Jepara (Doctoral Dissertation, Institut Seni Indonesia Yogyakarta).
Rohidi, Tjetjep Rohendi. (2011). Metode Penelitian Seni. Semarang: Cipta Prima Nusantara Semarang.
Rohmat, N. (2009). Nilai Estetis dan Makna Simbolis Lampion Arak-arakan Takbir Mursal. Imajinasi, 5(2).
Sugiyono. (2012). Metode Penelitian Kuantitatif Kualitatif Dan R&D. Bandung: CV. Alfabeta.
Sunarman, Y. B. (2010). Bentuk Rupa dan Makna Simbolis Ragam Hias di Pura Mangkunegaran Surakarta (Doctoral Dissertation, Universitas Sebelas Maret).